This Thesis Booklet showcases final thesis projects produced by Master of Architecture (MARC), Master of Landscape Architecture (MLA) and Master of Urban Design (MUD) students at the University of Toronto’s John H. Daniels Faculty of Architecture, Landscape, and Design. Thesis booklets are a Daniels Faculty tradition, printed and distributed to graduate thesis students, as well as thesis advisors, external reviewers and guests.

The booklet contains images and brief statements by students who are presenting thesis projects this winter semester, at the culmination of their studies. Feel free to flip through the booklet below, or download a PDF.

A project designed by a trio of Daniels Faculty students that aims to serve the unhoused and precariously housed populations of Toronto has won a National Urban Design Award, presented annually by the Royal Architectural Institute of Canada (RAIC).

Michelle Li, Yongmin (Laura) Ye and Edward Minar Widjaja — all of whom are second-year Master of Architecture students — submitted their project, Mobile Support as Shelter Support Infrastructure, as part of their work for the Integrated Urbanism Studio program.

“We are extremely grateful and honoured by this recognition,” says Ye, co-lead of the project. “Working on this project encouraged us to consider the politics and ethics of designing housing and public spaces, which we will carry into our future design practices.”

Ye and her co-leads received the RAIC award in the category of Student Projects. The award winners were formally announced on March 11.

The three Daniels Faculty students converged on the school from different parts of the world. Michelle Li (1) was born and raised in Toronto; Yongmin (Laura) Ye (2) was born in Tokyo and grew up in Macau; Edward Minar Widjaja (3) hails from Jakarta, Indonesia. (Photos provided by the students)

“Michelle, Laura and Edward took on a challenging and nuanced topic with a rigour that enabled them to question conventions,” says Drew Adams, their instructor, “and to imagine pragmatic and inspired possibilities about empowerment and placemaking in the built environment.”

Here, the students share their thoughts on their project, what they learned, and how they will carry it forward in their careers.

How did Mobile Support as Shelter Support Infrastructure come about?

We chose to focus on shelter support infrastructure as part of the Integrated Urbanism Studio.

Through our research, we discovered that the city has been designing stationary, “brick-and-mortar” solutions (e.g. warming stations, respite sites, shelters, etc.) for unhoused people who are typically mobile. This led us to consider a flexible and temporal system that adapts to a population who is transient.

Why did you focus your project on helping the unhoused and precariously housed of Toronto?

During our research, we realized that unhoused populations have been neglected in most city planning and urban master planning, especially with regards to housing in Toronto. There is a very negative, negligent perception towards people who are unhoused, which is compounded by city bylaws to the point where poverty is criminalized. Designing shelter support infrastructure changes the way services can be provided and how public spaces can be designed to benefit both unhoused people and the local community.

Remember, there is a thin line between having a roof over your head and sleeping on the streets.

Were there other projects that helped serve as templates or inspiration for your submission?

We looked at shelter support networks rather than built projects — organizations such as Encampment Support Network, Toronto Tiny Shelters and Meals on Wheels, which serve those who are precariously housed or unhoused. For precedents on designing transitional and supportive housing, we referred to The SIX by Brooks + Scarpa, which provides supportive housing units for veterans in Los Angeles. We also looked at Eva’s Phoenix by LGA, which provides youth transitional housing in Toronto.

What are your future plans?

Working on this project encouraged us to consider the politics and ethics of designing housing and public spaces, which we will carry into our future design practices — considerations such as how to design an apartment for someone who has experienced trauma, or building welcoming and accessible public spaces for people of all income levels. In studio, we typically do not consider urban policies or the social implications of our designs. However, we see a real possibility of having discussions with people from the community about compassionate design, and bringing in lecturers who are involved in social work or social housing.

Beyond this project, there is the potential of volunteering with a shelter support organization or speaking with social workers who directly engage with vulnerable groups on a frequent basis. In our thesis research, one of us is looking at modular construction, which has the possibility of being adapted for mobile support infrastructure as an extension of this project. We want to address the question: Could designers advocate for housing rights through architecture and urban design?

What kind of guidance did you get during your design process?

We would like to express our deep gratitude to our instructor, Drew Adams, who continuously guided and supported us throughout our research and design process. We wish to thank him for his encouragement and offering his insight on designing shelters for the unhoused and precariously housed. We would also like to thank Steve Hilditch from Hilditch Architect for our conversation on transitional and supportive housing, and Robert Raynor who spoke with us about Toronto Tiny Shelters.

Developing Mobile Support as Shelter Support Infrastructure as part of their Integrated Urbanism Studio challenged the trio “to think about decarbonization, climate resilience, employment, equity and social justice, and to envision new forms of housing, open spaces, infrastructure and social services in the 21st-century city,” according to their instructor Drew Adams. (Illustrations provided by the students)

Monday, April 11 to Friday, April 27
Daniels Faculty Building,
1 Spadina Crescent, Toronto, Ontario

Throughout April, students in architecture, landscape architecture, urban design and forestry will present final projects to their instructors. Students of the Daniels Faculty will also present to guest critics from both academia and the professional community in attendance.

Please note: As we continue to maintain a safe and healthy environment in compliance with public health guidelines and University of Toronto policies, winter reviews will only be open to members of the University of Toronto community and not to the general public at this time.

U of T requires all those coming to campus to be fully vaccinated against COVID-19 and provide proof of vaccination via UCheck.

Follow the Daniels Faculty @UofTDaniels on Twitter and Instagram, and join the conversation using the hashtag #DanielsReviews.

Monday, April 11 | Undergraduate

Design Studio I
JAV101H1S
9 a.m.–6 p.m. ET
Instructors: Jay Pooley (coordinator), Kearon Roy Taylor, Danielle Whitley, Nova Tayona, Sonia Ramundi, Katy Chey, Batoul Faour, Chloe Town, Jeffrey Garcia, Jennifer Kudlats, Gregory Beck Rubin, Luke Duross, Scott Sorli, Jordan Prosser, Reza Nik and Anamarija Korolj
Rooms: Principal Hall (170), 215, 230, 240, 330

Tuesday, April 12 | Undergraduate

Design Studio II
ARC201H1S
9 a.m.–1 p.m. ET
Instructors: Fiona Lim Tung (coordinator), Daniel Briker, Anne Ma, Maria Denegri, Shane Williamson, Jamie Lipson, Kara Verbeek, Nicolas Barrette, Nova Tayona and Sonja Vangieli
Rooms: 209, 215, 230, 240, 242, 330, 1st floor hallway, 2nd floor hallway

Technology Studio IV
ARC381Y1S
9 a.m.–6 p.m. ET
Instructors: Andrew Bako (coordinator) and Kfir Gluzberg
Room: Principal Hall (170)

Wednesday, April 13 | Undergraduate

Architecture Studio IV
ARC362Y1S
10 a.m.–4 p.m. ET
Instructors: Jon Cummings (coordinator), Lukas Pauer and David Verbeek
Rooms: Principal Hall (170), 230

Landscape Architecture Studio IV
ARC364Y1S
12 p.m.–5 p.m. ET
Instructor: Pete North
Room: 330

Thursday, April 14 | Graduate & Undergraduate

Drawing & Representation II
ARC200H1S
9 a.m.–6 p.m. ET
Instructors: Michael Piper (Coordinator), Jon Cummings, Francesco Valente-Gorjup, Phat Le, Scott Norsworthy, Kiana Mozayyan and David Verbeek
Rooms: Principal Hall (170), 209, 230, 240, 2nd floor hallway

Design Studio 2
LAN1012YS
9 a.m.–6 p.m. ET
Instructors: Liat Margolis (Coordinator) and Terence Radford
Room: 330

Urban Design Studio Options
URD1012YS
9 a.m.–6 p.m. ET
Instructor: Simon Rabyniuk
Room: 215

Monday, April 18 | Graduate & Undergraduate

Design + Engineering I
ARC112H1S
9 a.m.–6 p.m. ET
Instructors: Jay Pooley (coordinator) and Jennifer Davis
Room: 200

Design Studio 2
ARC1012YS
9 a.m.–6 p.m. ET
Instructors: Adrian Phiffer (coordinator), Chloe Town, Anya Moryousef, Julia Di Castri, Matthew Hickey, Tom Ngo and Behnaz Assadi
Rooms: Principal Hall (170), 230, 330

Tuesday, April 19 | Graduate

Design Studio 4
ARC2014YS
9 a.m.–6 p.m. ET
Instructors: Samuel Dufaux (coordinator), Brigitte Shim, Steven Fong, Chris Cornecelli, Aleris Rodgers, Maria Denegri, Carol Phillips, Eiri Ota and Greg Neudorf
Rooms: 215, 230, 240, 330

Wednesday, April 20 | Graduate

MArch Post-professional Thesis
ALA4022YS
10 a.m.–4 p.m. ET
Instructors: Roberto Damiani (coordinator), Alstan Jakubiec, Erica Allen Kim, Alex Lukachko, Michael Piper and Stephen Verderber
Room: 200

Design Studio 4
ARC2014YS
9 a.m.–6 p.m. ET
Instructors: Samuel Dufaux (coordinator), Brigitte Shim, Steven Fong, Chris Cornecelli, Aleris Rodgers, Maria Denegri, Carol Phillips, Eiri Ota and Greg Neudorf
Rooms: 215, 230, 240

Design Studio 4
LAN2014YS
9 a.m.–6 p.m. ET
Instructors: Alissa North (coordinator), Todd Douglas and Rui Felix
Room: 330

Thursday, April 21 | Graduate & Undergraduate

Senior Seminar in History & Theory (Thesis)
ARC457Y1S
9 a.m.–6 p.m. ET
Instructor: Simon Rabyniuk
Rooms: Principal Hall (170), 209, 215, 230, 240

Senior Seminar in Design (Thesis)
ARC462Y1S
9 a.m.–6 p.m. ET
Instructor: Laura Miller
Rooms: Principal Hall (170), 209, 215, 230, 240

Senior Seminar in Technology (Thesis)
ARC487Y1S
9 a.m.–6 p.m. ET
Instructor: Nicholas Hoban
Rooms: Principal Hall (170), 209, 215, 230, 240

Design Studio Thesis
LAN3017YS
9 a.m.–6 p.m. ET
Instructors: Liat Margolis (coordinator), Behnaz Assadi, Fadi Masoud, Pete North, Alissa North, Matthew Perotto and Aisling O’Carroll
Rooms: 242, 330

Friday, April 22 | Graduate & Undergraduate

Senior Seminar in History & Theory (Thesis)
ARC457Y1S
9 a.m.–6 p.m. ET
Instructor: Simon Rabyniuk
Rooms: Principal Hall (170), 209, 215, 230, 240

Senior Seminar in Design (Thesis)
ARC462Y1S
9 a.m.–6 p.m. ET
Instructor: Laura Miller
Rooms: Principal Hall (170), 209, 215, 230, 240

Senior Seminar in Technology (Thesis)
ARC487Y1S
9 a.m.–6 p.m. ET
Instructor: Nicholas Hoban
Rooms: Principal Hall (170), 209, 215, 230, 240

Design Studio Thesis
LAN3017YS
9 a.m.–6 p.m. ET
Instructors: Liat Margolis (coordinator), Behnaz Assadi, Fadi Masoud, Pete North, Alissa North, Matthew Perotto and Aisling O’Carroll
Rooms: 330

Urban Design Studio Thesis
URD2015YS
9 a.m.–6 p.m. ET
Instructors: Otto Ojo and Michael Piper
Rooms: 242, 215

Monday, April 25 | Graduate

Architectural Design Studio: Research 2
ARC3021YS / ARC4018YS
9 a.m.–6 p.m. ET
Instructors: Lina Ghotmeh, Shane Williamson, Stephen Verderber, Mason White, Miles Gertler, Lara Lesmes and Fredrik Hellberg
Rooms: 215, 230, 240, 242, 330, main east entrance, Library

Tuesday, April 26 | Graduate

Architectural Design Studio: Research 2
ARC3021YS / ARC4018YS
9 a.m.–6 p.m. ET
Instructors: Petros Babaskias, Kelly Doran, George Baird and John Shnier
Rooms: Principal Hall (170), 209, 230, 240, 242, 330, main hall mezzanine, Gallery entrance, Library, bottom of main staircase

Wednesday, April 27 | Graduate

Architectural Design Studio: Research 2
ARC3021YS / ARC4018YS
9 a.m.–6 p.m. ET
Instructors: Laura Miller, Brady Peters and Brian Boigon
Rooms: 230, 240, 330

Architectural Design Studio 7: Thesis
ARC4018YS
9 a.m.–6 p.m. ET
Instructors: Michael Piper, Reza Nik and Miles Gertler
Rooms: 209, 242

Banner photo by Harry Choi.

After a Covid-engendered false start in the summer of 2020, the inaugural Design Research Internship Project (DRIP) will finally be launched this summer by Associate Professor Pina Petricone in partnership with 15 local design firms.  

The unique initiative will provide senior BAAS students with the opportunity to apply their critical drawing, modelling and research skills to real projects under the direction of a local practitioner. The internship is designed to not only bridge academic research with professional practice, but also to expose students to models of design research that advance lessons from design studios and course work into multivalent and sometimes interdisciplinary design research problems.  

The deadline for submitting an application is end of day on Monday, April 4. Apply online here.

Two years ago, restrictions imposed by the pandemic postponed the launch of DRIP to this year, although a kind of Design Research Internship Pilot was offered by Prof. Petricone last summer through her firm Giannone Petricone Architects. Last year, 12 senior Architectural Studies students were selected to participate in the intensive internship and undertake group and individual work that collectively contributed to a document called the Atlas of Light Operations, a compendium that traces various custom light fixtures, built and under construction for a range of Giannone Petricone projects.  

The work began with a review and analysis of the collection of custom-designed light fixtures through drawings, shop drawings and construction photos, alongside an accelerated design project for the graphic representation of the final Atlas. Students were guided by presentations of models for design research and its systems of representation as well as individual and group feedback.  

The internship culminated in a comprehensive visual document in the form of a collection — an atlas that traces critical parts and contexts for the series. Although each fixture is unique, tailored to its host space, the design research ultimately expressed each custom-designed piece as inseparable from its cultural context, material and otherwise.  

“As a local practitioner myself, I can appreciate first-hand the value that research internships can bring to the general rigour of experimentation for real-world design projects,” says Prof. Petricone. “This work is often considered a luxury within the timeline of a project; however, this research internship can afford local offices additional resources in order to linger productively on questions of design, context, morphology, history and impact for any given design project.” 

A range of accomplished local practitioners will be participating in this summer’s inaugural internship project. Visit this page for a list of them, along with a brief description of their internship offerings.

Proposed research internships range from historical, theoretical, contextual, cultural, morphological and formal analysis/documentation designed to support the practitioner-defined design project.  

The design project can range from a document or object to an installation, exhibition, building or neighbourhood. 

Below are images from the Atlas of Light Operations created at Giannone Petricone Architects during the Design Research Internship Pilot:

Atlas of Light Operations – Excerpt, for Giannone Petricone Architects. Left: Drum by Jiachen Du. Right: Mushroom by Lhanzi Gyaltsan

Atlas of Light Operations – Composite, Giannone Petricone Architects. Left: Monza fabrication. Right: Monza in situ, Los Angeles.

Atlas of Light Operations – Excerpt, for Giannone Petricone Architects. Left: Cascade by Kathryna Cuizon. Right: Imola by Janet Ma.

Atlas of Light Operations – Composite, Giannone Petricone Architects. Left: Mushroom under construction. Right: Imola fabrication.

Atlas of Light Operations – Excerpt, for Giannone Petricone Architects. Left: Globe by Maya Freeman. Right: Loom by Sally Chiu

Banner Image: Atlas of Light Operations – Contents, for Giannone Petricone Architects. Participating Interns: Sally Chiu, Kathryna Cuizon, Jiachen Du, Maya Freeman, Lhanzi Gyaltsan, Sarah Janelle, Christopher Law, Christina Lin, Janet Ma, Negar Mashoof, Danah Owaida, Megan So. 

“Black. Black. Black.”

Clara James could barely contain her smile as she heard her mentor Jay Pitter utter those words inside a packed gallery space in downtown Toronto. James and Pitter were at Collision Gallery to celebrate the conclusion of the inaugural cohort of the Building Black Success Through Design (BBSD) mentorship program.

Held on March 26, the BBSD showcase event featured young Black talent in architecture and design. It also pointed to the systemic and institutional barriers, across generations, that spurred the creation of the mentorship program in the first place.

“I know that the people most impacted by poor design are people who don’t have access to design professions,” Pitter, the international urbanist and author, said in her remarks to the audience. “So, the work that is happening here tonight is radical and liberatory.”

Attended by BBSD participants, organizers, supporters from the Faculty, and community members, the showcase was a culmination of an initiative started over a year ago by James and her Black Students in Design (BSD) team members. It was a collective endeavour that required “a village,” as James put it, of advocates and advisors from within Daniels Faculty and beyond.

Daniels Faculty Dean Juan Du (left) with BBSD mentee Christine Pizzoferrato, whose final design submission was awarded the Impact Award. (Photo by Harry Choi)

“Having the BBSD showcase solidified everything that we’d been working towards at Daniels Faculty,” says James, a few days after the event. “It was really exciting and gratifying to see it come to fruition in the way that it did that night.”

Jalyne James (no relation to Clara James) was one of the high school students who participated in the 10-week mentorship program. It was the first program of its kind that he had ever participated in.

“I thought it would be good for my portfolio heading into university,” James said at the event. He had already been taking a couple of architecture classes in Cawthra Park Secondary School, one of the two regional art schools in the Peel District School Board.

James was initially unsure about how the program would unfold because of the pandemic but ended up finding the experience “extremely inspiring and rewarding” because of the connections he made, the design skills he acquired, and the new aspects of architecture that he learned. “As a Black LGBTQ youth, meeting all kinds of Black students and design professionals was incredibly enlightening and uplifting,” he said.

His mentor, Tamilore Ayeye, attested to the flexibility and enthusiasm that the mentees demonstrated over the course of a program that was conducted entirely online. “The past 10 weeks have been a really great learning experience for both the mentees and the mentors,” he said. “Seeing the mentees trying to find their way through the design and architecture world reminded me of when I first got into the field, and also taught me a lot about my own journey right now.”

An undergraduate student in the Architectural Studies program, Ayeye plans on continuing to support the BBSD program in the future and hopes to build something similar in his hometown of Lagos, Nigeria, if the opportunity arises. “Clara and the BSD executive team have laid a solid template for me to start a program like the BBSD for youth back home,” he said.

Architectural Studies student Tamilore Ayeye (left) met his mentee Jalyne James in person for the first at the showcase. James was awarded the Creative Award for his final submission. (Photo by Harry Choi)

The mentors met their mentees on a regular basis, helping the high school youth develop and refine their design projects. The mentees also attended workshops and lectures, some of which were delivered by Daniels Faculty members Erica Allen-Kim and Reza Nik.

“Bringing together high school and undergraduate students, practitioners and professionals under one roof is the type of mentorship we need more of in architecture,” says Nik, who helped arrange the Collision Gallery space for the showcase. “BBSD is an important step toward expanding the role and the responsibility of the University to the wider fields, of playing a more proactive role in taking anti-racist thoughts and critiques into practice.”

Jalyne James and the rest of his cohort (seven in total) were all awarded individual prizes by a jury panel featuring Pitter, Kathryn Lawrence and Daniels Faculty sessional lecturer Otto Ojo. From drafting to creativity and community, the awards recognized specific skills among the mentees and highlighted unique attributes within each of the final submissions.

“The quality of their work, as high school students, really stuck out to me,” said Lawrence, an interior designer at Perkins+Will and founder of the Ubuntu Creative Arts Project based in Kingston, Jamaica. “It’s amazing that they were able to learn programs like SketchUp, look at sites, ideate spaces, plan, and everything else in the span of 10 weeks.”

Kathryn Lawrence (centre) with her colleagues from the design firm Perkins+Will. Lawrence was one of the three members of the jury panel that reviewed the BBSD showcase final submissions. (Photo by Harry Choi)

Aidan Cowling, part of the Daniels Faculty Outreach team and a key supporter of both the BSD and BBSD initiatives, reflected on the sense of community that Clara James and her peers inculcated in the school. Cowling had been at the gallery since the morning, helping put together the showcase. “Supporting the BBSD program reminded me that the communal aspect of building something together makes it so much stronger and fun,” he says. “The process of building something like this mentorship program for Black youth – the values, the ideas, inclusion – is as important as the final product itself.”

Clara James echoed this sentiment as she reflected on the showcase and her future plans. The days leading up to the event and the showcase itself had been a whirlwind of emotions for the Daniels Faculty alumna, who currently works as a studio assistant on campus. Seeing the mentees and their supporters experience the showcase more than made up for the exhaustion and nervousness she felt.

“Having everybody come up to me and say ‘thank you for this opportunity and for this experience’ really made my heart explode,” she says. “That’s the reason I do what I do.”

James hopes to continue building on this momentum. She would like the mentorship program to run year-round, in more post-secondary spaces across Canada. Eventually, her dream is to make BBSD a national program, one that she could actually work in, full-time.

These aspirations that James holds are guided by what Jay Pitter referred to as “servant leadership” in her remarks at the start of the event. James had personally invited her mentor to attend the showcase. This is the latter half of the speech that Pitter delivered:

What I want to underscore is that those of us who work in these professions are not afforded the luxury of simply building our careers. The work that we do is ancestral work. We are descended from people who’ve been displaced and devalued for five hundred years. So the work that we do as Black land-use professionals – it is not just about designing sleek spaces, it is not just about beauty – it is about redressing centuries of spatialized anti-Blackness. We are not afforded the privilege to simply earn an education or build our portfolios. We have to bring our communities, our families with us. Clara is a servant leader. She is our ancestors’ wildest dreams. And I couldn’t be more proud to introduce her to you this evening.

The BSD executive team, formed in 2020, started work on the BBSD mentorship program a year ago. Clara James (third from left, wearing a green top) is the founder and president of the group. (Photo by Harry Choi)

The BBSD showcase at Collision Gallery concluded on April 1. It will be placed as an installation at the Daniels Faculty Building at 1 Spadina Crescent at some point later this year.

The design awards and the recipients are as follows:

Writing Award: Chioma Obi
Drafting Award: Nityanand Baldeo
Creative Award: Jalyne James
Above and Beyond Award: Tee Alabi
Site Award: Kyle Clahar
Community Award: Audrina Stewart
Impact Award: Christine Pizzoferrato

Click here to learn more about Black Students in Design.

The March 26 showcase featured final submissions that the seven BBSD mentees developed in the span of 10 weeks. Project descriptions, photos and scale models were put on display in Collision Gallery by Clara James and a team of organizers. (Photos by Harry Choi)

Banner image: Members of the BSD executive team and BBSD participants pose for a group shot before the formal start of the showcase event. Clockwise from top-left: Vienna Holdip (BSD), Tee Alabi (mentee), Nityanand Baldeo (mentee), Kyle Clahar (mentee), Christine Pizzoferrato (mentee), Tamilore Ayeye (mentor), Jalyne James (mentee), Audrina Stewart (mentee), Tomi Bamigbade (BSD), Clara James (BSD), Renée Powell-Hines (BSD) and Rayah Flash (BSD). (Photo by Harry Choi)

On a chilly but bright February morning, Daniels Faculty students and instructors traveled to the Canadian Ecology Centre (CEC) in northeastern Ontario to resume what had been until last year an annual rite of passage for the Master of Forest Conversation (MFC) program. The Mattawa winter field camp, put on pause last year because of the pandemic, was back on schedule with the support of several local and forestry organizations.

The four-day camp started on February 24 and concluded on February 27. It featured a full slate of activities, presentations, tours and on-the-ground learning opportunities for the 22 MFC students who attended. They were accompanied by Sandy Smith, Anne Koven and Tony Ung, along with many Forestry alumni working as foresters, private land owners, research scientists and representatives of the various organizations who helped put the camp together. The group was also joined by two students visiting from Finland.

Located in Samuel de Champlain Provincial Park, about four hours north of Toronto by car, the CEC is a non-profit outdoor and environmental education facility. It is also home to the Canadian Institute of Forestry (CIF), one of the organizing partners of the camp. The mission of the CIF, the national voice of forest practitioners since 1908, includes advocating for the forestry industry, building competency within forestry professionals, and fostering public awareness of Canadian and international forestry issues.

The group departed for the CEC on the first day of the camp. On the way there, attendees stopped at the intensively managed pine forest owned by Tim Bryson and his family in Sunridge, Ontario. Bryson provided lunch to the group, and then a tour of his forest and the various operations there. Afterward, the group drove to the CEC, where it was given an overview of the CIF, followed by an evening meet-and-greet with members of the Ontario Professional Foresters Association.

Tim Bryson, pictured here facing the group, demonstrates the woodlot forest operation at his privately owned pine forest on day one of the Mattawa winter field camp. (Photo by Tony Ung)

Day two of the camp started early with an overview of the Nipissing Forest Resource Management and then a tour of the Nipissing forest, which included stops featuring a uniform shelterwood site and an active harvesting operation site. After lunch, the group embarked on a tour of Green Legacy Farms, owned by Dean Assinewe, where they snowshoed around beehives and learned about his goals of aligning the practices and plans of his private woodlot with traditional Indigenous values. The evening featured more presentations, a campfire and a wolf howl (optional) with the CEC’s general manager, Bill Steer.

Scott McPherson gives a presentation on Nipissing Forest Resource Management before the group tours the forest as the first activity on the second day of the camp. (Photo by Tony Ung)

Day three, which was the most packed day of the camp, began with a trip to the Petawawa Research Forest (PRF). Over the course of three hours, PRF staff and volunteers gave an extensive tour of the research forest’s various study areas and operations, including its history of helping with contemporary challenges such as climate change. Lunch was provided in the silviculture building, where the camp participants were also given a presentation on forest management.

Following lunch, the group ventured on a hike that involved a hardwood trail, an arboretum and a tree marking site. A couple of hours after that, they boarded a bus to visit the Deep River public library, where they were given a presentation on the Algonquin Forestry Authority.

The day winded down with a traditional lumberjack six-pie supper at the CEC, after which the group was serenaded by Steer and John Pineau (executive director of the Ontario Woodlot Association) with a campfire singsong about the history of Mattawa.

“The tradition of the MFC class visiting [us for the winter field camp] is close to 25 years old,” Pineau, one of the core organizers of the camp, wrote in the newsletter The Howler. “Thanks to the financial and volunteer support of many, it continues to give the students an excellent opportunity to see top-notch forestry operations and world-class research, plus have a lot of fun too!”

Petawawa Research Forest staff showed the camp participants the different studies and forest management approaches undertaken at the forest, including this research plot. (Photo by Tony Ung)

On the fourth and final day of the camp, the group was given a presentation of the traditional forestry data collection tools at the CEC. Their last activity before leaving for Toronto in the afternoon was a tour of the Fur Harvesters Auction House in nearby North Bay, Ontario.

The group marvel at the life-size mount of the polar bear at the Fur Harvesters Auction House on the final day of the camp before heading back to Toronto. (Photo by Tony Ung)

“It was gratifying to see ‘seasoned’ foresters and technicians passing on their knowledge of silviculture, forest health and tree marking to forestry students,” Koven wrote in her thank-you note to the CEC, Pineau and the rest of the camp’s supporters. “The Mattawa field camp demonstrated sustainable forestry in action.

"It gave enormous opportunities for our students to experience forestry operations, to appreciate the skill of skidder and other machinery operators, and to hear the pride of the business owners.”

Banner image: The four-day Mattawa winter field camp was attended by 22 MFC students who were joined by faculty members, alumni and two visiting Finnish students. (Photo by Tony Ung)

Award-winning architect and designer Omer Arbel is scheduled to speak at the Daniels Faculty on Wednesday, March 30. 

Based in Vancouver, Arbel will be presenting his latest studio and architectural work to undergraduate students in the ARC302 course (Exploring Design Practices) at 12:30 p.m. ET in the Main Hall of the Daniels Building at 1 Spadina Crescent. 

In the past, course instructors have opened in-class lunchtime lectures such as this one to other Daniels students and faculty. This will be the case with Arbel’s appearance, with attendance limited to members of the Daniels community only. 

An architect, artist, educator and experimenter, Arbel is known for his multidisciplinary approach to design, realizing projects of varying scale and across a wide spectrum of contexts. In 2005, Arbel co-founded Bocci, the design and manufacturing company that produces his acclaimed range of sculptural lighting, among other products. Last year, Phaidon published a monograph of his work. 

ARC302, which is taught by Sessional Lecturer Jeffrey Garcia, aims to engage students through a series of presentations and conversations with a variety of interdisciplinary and specialized practitioners.  

Experts enlisted have come from the fields of architecture, interior design, industrial design, digital environments, narrative and representation. 

After two years of pandemic-related restrictions, some welcome news for Daniels Faculty students who are planning to graduate this June.   

Subject to any changes in public health guidelines, the Faculty and the University have confirmed that Spring Convocation, scheduled for June 2 to 24 at Convocation Hall, will be held in person.  

The restoration applies to undergraduate students who have requested to graduate at that time, as well as graduate students who are being put forward this term. 

“I am thrilled,” says Dean Juan Du, “that this important moment for our academic community will once again be in person.”  

Further updates will be communicated through the University’s Office of Convocation as details become available. The last in-person convocation at U of T was held in 2019.  

Banner image: Graduate banners flutter at the University of Toronto's Convocation Hall. (Photo by Diana Tyszko)

What initially started as a series of iPad sketches by a staff member at the University of Toronto’s COVID-19 vaccine clinic in downtown Toronto will now be presented as an art exhibit. Clinic Into the Future features nine paintings by clinic worker turned artist-in-residence Greg Ellwand. The exhibit, which will be installed in the now-closed clinic itself, is a collaboration between Ellwand and Daniels Faculty student Sherry Chunqing Liu, who curated it.

“I am extremely excited that people will now be able to view Ellwand’s paintings in person,” says Liu, who was born in the Chinese city of Xiamen and grew up in Richmond, British Columbia. “This exhibit is a special representation of the U of T community’s spirit and our commitment toward public health and to helping each other.”

Putting together an exhibit during a pandemic is a tall order for any curator. The project becomes even more daunting when it’s the first in-person event you’ve ever curated. For Liu, however, this challenge represented an opportunity of a lifetime, which the first-year Master of Visual Studies in Curatorial Studies student eagerly embraced.

Liu was first approached by her program director, Jean-Paul Kelly, at the start of the fall semester last year. Although she didn’t know then whether the exhibit would be virtual or in person, she was confident she could pull it off. Liu had previously worked on We Are Together 2020, an online arts initiative featuring testimonies and works of art from people around the world in the early days of the pandemic. Ellwand’s paintings, she felt, were a continuation of that work and those themes, albeit on a different scale.

“One of the biggest differences between online and in-person exhibits was that I needed to work with the physical space a lot,” she says.

Liu spent many afternoons at the former clinic in the U of T Exam Centre on McCaul Street, drafting floor plans and observing the traffic flow of the building. “The spatial planning involved a lot of my architectural skills that I obtained from my undergrad at the Daniels Faculty,” she says. “These technical design skills allowed me to clearly communicate with Greg and the rest of the exhibit team on how the installation could look in person.”

MVS Curatorial Studies student Sherry Chunqing Liu began working on the concept and layout of the Clinic Into the Future exhibit after her program director tapped her to curate artist Greg Ellwand's paintings at the start of the fall semester last year. (Photo of floor plan sketch provided by Liu)

Clinic Into the Future also happens to be the first solo exhibit that Liu has curated. She and Ellwand formed a close partnership during the curation process, delving into deep discussions about the stories and artistic decisions behind each of the pieces that ended up being selected.

They settled on two overarching narratives for the exhibit. “The first is about Greg’s creative process, from initially sketching what he was experiencing as a staff member to later incorporating more futuristic, vibrant and imaginative elements as an artist-in-residence,” she says. “The second is about the spatial dialogues among the artwork, the experiences of the members of the clinic, and the viewers of this exhibit.

“There is a sensation of a space-time parallel between the viewer and those who once worked at and visited the clinic.”

One example of how this was achieved was by positioning paintings that depict the clinic’s check-in activities in the check-in area itself. Liu hopes that, by doing so, visitors can imagine themselves being transposed into those scenes and also see through the eyes of Ellwand.

Ellwand’s paintings depict the people, objects, colours and movements that filled the vaccine clinic hosted in U of T’s Exam Centre in downtown Toronto. The clinic was one of the university’s three mass-immunization sites; the other two were on the Mississauga and Scarborough campuses. (Photos by Johnny Guatto)

Clinic Into the Future will be installed as a permanent fixture inside the Exam Centre building, alongside Ellwand’s artist statement and Liu’s curatorial statement plaques. The Exam Centre clinic was one of the University’s three COVID-19 vaccine centres. The other two were on the Mississauga and Scarborough campuses. Together, these and other U of T pop-up clinics constituted Canada’s largest immunization campaign, delivering nearly 420,000 doses in Toronto and Peel Region in 2021.

“It means a lot to me that the Exam Centre is where the exhibit will take place,” says Liu. “I hope it inspires contemplation of what happened in this space during the time of the clinic.

“Most of all, I hope visitors can walk away knowing that the battle against the COVID-19 pandemic has been a collective effort by our community, and that we’re not alone in this fight.”

Banner image: Clinic Into the Future marks the first in-person and solo show curated by Liu, pictured on the left discussing the paintings with exhibit artist Ellwand. (Photo by Johnny Guatto)

Third-year Master of Landscape Architecture student Stefan Herda is among the 17 scholars chosen by the Landscape Architecture Canada Foundation to receive one of its 2021/22 scholarships.

Every year the Ottawa-based LACF bestows the awards to two national and 15 regional winners across Canada. The scholarships are awarded to landscape architecture students who display “superior academic performance, promote leadership, and encourage original and creative design work and research,” according to the Foundation.

“I am humbled to have been selected by the LACF for the award,” says Toronto-based Herda, whose regional win was officially marked during an online celebration on February 11. “There is so much to learn in landscape architecture, and I appreciate being recognized early on in the journey.”

Herda’s “enthusiasm for traditional ecological knowledge, land stewardship and cultivating landscape literacy” were cited among the reasons for his selection.

Stefan Herda has undertaken research projects that analyze the environmental impacts of sites such as the Pickering Nuclear Generating Station in Ontario.

“Every recipient had a chance to introduce themselves, discuss their research and interests, and [elaborate on] what inspired them to study landscape architecture,” says Herda, who found the virtual ceremony convenient since he and his fiancée have a newborn. “What was most compelling was the profound influence that local geography had on everyone’s work, the breadth of research, and how they focused on equity, climate justice, and truth and reconciliation.”

In addition to his fiancée, Herda credits his fellow classmates, his mentors at the Daniels Faculty, and Elder Whabagoon and the Nikibii Dawadinna Giigwag family for helping him achieve this milestone. “I would not be where I am without my classmates,” he says. “The Landscape Architecture faculty across the board at Daniels have been incredibly supportive of my interests over the last three years.”

One of the research projects that Herda has undertaken at the Daniels Faculty is Under the Humber, in which he and his Integrated Urbanism Studio classmates studied sites in Toronto (such as the point where the Humber River meets Lake Ontario) that they designated as needing some form of design intervention due to environmental, economic and social pressures.

To view more of Herda's work, click here.

Banner image: Master of Landscape Architecture student Stefan Herda was awarded a 2021/22 scholarship by the Landscape Architecture Canada Foundation. (Photo provided by Herda)